THE NATIONAL MUSEUM OF THE PHILIPPINES

Manila’s National Museum of the Philippines

History

The first predecessor to today’s National Museum was the Insular Museum of Ethnology, Natural History, and Commerce under the Department of Public Instruction, created in 1901 by the Philippine Commission. In `903, the Museum was subsequently transferred to the Department of Interior and renamed the Bureau of Ethnological Survey. This new bureau was responsible for the Philippine participation in the Louisiana Purchase Exposition of 1904. After the exposition, it was abolished as a separate bureau and renamed the Philippine Museum.

The museum’s structure again changed in 1933 when the Philippine Legislature divided the museum. The museum’s Division of Fine Arts and History went to the National Library. Its Division of Ethnology went to the Bureau of Science. Finally its Division of Anthropology, which included archaeology, ethnography and physical anthropology, and the other sections of natural history of the Bureau of Science, were organized into a National History Museum Division. This was transferred to the Office of the Secretary of Agriculture and Commerce in 1939.

The Japanese occupation of the Philippines during World War II brought the divisions back under a single National Museum of the Philippines, but the museum lost a large part of its collection during the Liberation of Manila when the Old Legislative Building was destroyed by American artillery. The Legislative Building was immediately restored through the American funds bringing the museum back to its operations.

The museum’s role in cultural growth was recognized as contributing to government’s desire for national development.[2] In 1966, President Ferdinand Marcos signed Republic Act No. 4846 or the Cultural Properties and Protection Act. The law designated the museum as the lead agency in the protection and preservation of the nation’s cultural properties through the conduct of census, study, and declaration of such properties and the monitoring and regulation of archaeological exploration, excavation, or diggings in historical or archaeological sites. With its new powers, it was able to strengthen its cultural mandate by declaring properties, structures, and sites of historical and cultural value to the nation. The educational mandate was strengthened because it was able to inform the public of the researches it conducted and through the acquisition and exhibition of archaeological finds.

The National Museum was actually designed in 1918 as a public library by an American consulting architect of the Bureau of Public Works called Ralph Harrington Doane, and his assistant Antonio Toledo. But work having been suspended several times because of lack of funds, it was eventually decided that the building should be used by the Legislature. The building was inaugurated on the 16th July 1926, and by then had cost four million pesos – way over the original estimates.
Upon its completion, the upper floors were occupied by the Senate and House of Representatives while the ground floor was occupied by the National Library. During the shelling and bombing of Manila in 1945 it suffered severe damage, but was reconstructed in 1946 following the original plans but with some revisions. In 1996, the Senate moved out of the building, and in 2003, renovation started to transform it into the National Art Gallery of the National Museum.
The Museum lies just outside Rizal Park in downtown Manila, not a stone’s throw (well, not if thrown by someone who’s relatively fit) from the statue of the Sentinel of Freedom, a monstrosity in the park itself which was erected in 2004 during President Aroyo’s tenure of office. It was part-funded by the Korean Freedom League, no doubt to show their solidarity with another country in the region which suffered under the occupation of the Japs during the Second World War.
Anyway, that apart, the museum itself (which is badly signposted, and has railings blocking the entrance in the most unlikely places) is actually rather a nice building.
It’s built round a courtyard, and inside the main building is a circular staircase which positively invites the visitor to climb up it.
The corridors are long and semi-ornate and the whole place has a grandiose feel to it. Already I’m warming to the museum, before having actually seen anything of note.
But before going any further, there is time first of all to inspect a typical Ifugao house, which the Petron Corporation (the largest oil refining and marketing company in the Philippines, supplying more than a third of the country’s oil requirements) has taken upon themselves to park in the central courtyard for all to wonder at. (Ifugao is a landlocked province in northern Luzon, famed for its 2000-year-old rice terraces which have been carved into the mountains and which in 1995 were declared a UNESCO World Heritage Site.)
You can climb up a little ladder and stare up into the one roomed house (or studio apartment as the yuppies might call it). The heavily thatched roof serves as protection against rain and cold; but apart from the craftsmanship of the building, there’s not a great deal to see.
So it’s back inside once again where we start with a gallery on the ground floor featuring a walk-in diorama depicting the wrecksite of a Spanish ship called the “San Diego”.
San Diego was a 3-masted trading vessel built in Cebu in 1590 by European builders. It was about 40 metres long, 12 metres wide and eight metres high, with four decks and was capable of hauling some 700 tons of cargo. It was converted into a warship by the then Vice-Governor General of the Philippines, Antonio de Morga; but unfortunately it then clashed with a Dutch ship on December 14th, 1600, just off Manila Bay, where it promptly sank.
It appears the beastly Dutch were intent on competing with the poor Spaniards in the trade of goods from Asia. A certain Olivier van Noort had sailed his fleet into Philippine waters and the incensed Spaniards ordered de Morga to prepare for battle, which he duly did with a small ship called the San Bartolome, together with the San Diego.
The Dutch also had two ships – the Mauritius and the Eendracht. Mauritius fired the first shot, (effectively proving that they were the bad guys) and the San Diego returned fire and rammed it – which it turned out a short while later, was not really the best of ideas.
All odds were in favour of the Spanish. The San Diego was four times larger than the Mauritius; it had a crew of 450 rested men and massive fire power with 14 cannons taken from the Manila fortress. But despite the quantity and variety of artillery on board, only one shot was fired by the San Diego. It appears there was so much cargo on board that the newly installed gunports had to be kept shut in order to prevent water from entering the submerged portholes!
After six hours of skirmishing, San Diego disengaged to avoid catching fire from the Dutch ship. But due to the fact that no one had thought to remove that heavy cargo from its hold before going into battle, it sank before it could reach Fortune Island, Batangas – not helped by the additional fact that there happened to be a gaping hole in its bow. The Mauritius managed to escape to Borneo, but the Eendracht was captured.
According to the exhibition blurb, the artefacts on display were all recovered from the sunken vessel; but I have to say that quite apart from the lack of security on some of the exhibits (which seems amazing in a country like the Phils) some of the plates and other bits and pieces look like they have come straight out of a Woolworth’s Christmas sale, rather than having lain on the ocean floor for some four centuries. Anyway, why let the facts get in the way of a good story?
Even the cannon look like they have come out of a second rate film set factory.
Having marvelled at the sale bargains of Woolworth’s San Diego branch, we are signposted upstairs to Exhibit Gallery II on the second floor (a.k.a. first floor, if talking in H.M.the Q.’s vernacular). Here on display are countless more artefacts from the San Diego, such as ceramics, coins, pottery, jewellery, armaments and other miscellaneous odds and ends. The San Diego contained over 5,000 objects, essentially representing a time capsule of Asia, Europe and America in those heady days of yesteryear.
Anyway, lest you overdose on San Diego fun, the next gallery suddenly changes track and concentrates on five centuries of maritime trade in the Philippines before the arrival of westerners. On display are rare pieces recovered by the National Museum from five wrecksites reflecting maritime trade among East Asian countries, before the arrival of the Spaniards to the Philippine archipelago.
Some pieces are exquisite – such as this carved wooden table top…
But it’s not long before the Spaniards rear their heads up once again as we walk in to a gallery with a display of pictures of boats, such as this one…
The body of water between Mexico, Peru and the Philippines became known as the Spanish Lake and served as a route for the galleon trade that made use of the winds and sea currents in the area. From 1565 to 1813, westward voyages were made from Acapulco beginning in February or March and lasting three months. The return trip from Manila to Acapulco would leave in June or July and take twice as long. Up to four ships were used all year round. Mule trains were then used to transport goods overland from Acapulco to Vera Cruz, where they were then shipped to Seville in Spain – their final destination.
Along a corridor on this floor there are some more full sized cannons and helmets used by Spanish soldiers, together with some of the armaments. And soon one comes face to face with the ill-fated Antonio de Morga, the commander of the San Diego. There are even some ancient navigational instruments here and a book that contains the historical account of the San Diego’s sinking, written by de Morga himself and called Sucesos de las Islas Filipinas, which he published in Mexico in 1609. On display are two Spanish editions with three translations into English, which portray de Morga as a hero of the battle. Well, what a surprise!
But without a word we once again leave the San Diego, and this time head off into a totally different gallery stuffed full of nature… starting off with botanical drawings…
… and then move on to pressed dried plants indigenous to the islands. Here’s a preserved sample of Flagellaria Indica which can be found in secondary forests across the archipelago and whose stems are used for tying things up.
Having viewed countless colourless remains of flora, there are displays of insects and butterflies pinned to boards, though I am left wondering why fifty of the same butterfly (Ideopsis Juventa Manillana, in case you are interested) should be any better than, say, 50 different species of butterfly, which might be a tad more interesting. I guess it all goes to prove that you can’t please everybody all the time.
Grasshoppity crickets anyone? At least these have some variety, I guess.
Next up it’s a very sad specimen of a Philippine Flying Lemur – which actually isn’t a lemur at all and doesn’t fly! Looks a bit moth eaten to me!
Talking of moth-eaten, there’s also a stuffed Tanygnathus Lucionensis (Blue naped Parrot to you and me!) nearby of which I am sure I have seen some in Palawan flying through the forest.
Next, it’s the turn of the Tokay Gecko – or Gekko Gecko Linnaeus, to give it its Latin name. It’s one of the largest species of geckoes in the world, reaching lengths of up to 35 cms. It is quite common in the Phils and, again, I am sure I have seen some in Palawan.
Oh no… once again we’re back to spoils from ship wrecks. If there’s one thing I find annoying about this museum, it’s this to-ing and fro-ing between exhibits, with little thought apparently having been given to leading the visitor through one subject before jumping off to another totally different area.
So, where was I? Oh yes! Centuries before the coming of the Spaniards, merchant vessels were already sailing through Southeast Asia bringing trade and commerce to the Philippine Islands. Some reached their destinations, while fortunately for historians, others sunk because of natural calamities or because they were attacked by pirates. These vessels carried various ceramics and other commodities from China, Vietnam and Thailand.
On display are large Spanish and Siamese jars that contained provisions for the passengers of the ship consisting of preserved fruits, sardines, salted meat, wine, vinegar and drinking water.
Plates, bowls, cups and bottles were mostly decorated with birds, cockerels, geese and deer designs, which were all popular during the 16th century. This bowl bears the reign mark of Emperor Wan Li of China who reigned from 1572 to 1620, during the latter portion of the Ming dynasty (1368–1644).
And here’s a “kendi” which you can drink from without it touching your lips. It comes originally from Malaysia and the word is derived fro the Sanskrit – Kundika, described as a ritual jug.
Not all the exhibits in the museum appear to have been retrieved from the sea bed or rescued from the taxidermists’ workshops. There are also a number of things that have been found in caves. We’re told that the Philippine archipelago was formed about 70 million years ago, the result of million of years of volcanic and tectonic activities. The earliest evidence of people in the Philippines can be dated to 750,000 years ago.
Here’s a picture of an early Filipino – obviously having a bad hair day. Problem is – is it a He or a She? The mammaries look pretty female to my untutored eye (!) but he/she/it is wielding a spear. Maybe she’s waiting for her hubby to get back home to give him hell for staying out late with the lads?
It appears that Filipinos – or is it the curators of this museum – are obsessed with breasts. Round the corner from the bad-hair-day-woman is an exhibit known as a Masuso pot, sporting (if that is the right word) four breasts. Because of looting and destruction of archaeological sites, the museum doesn’t know what culture or historic period they actually belong to… “we can only guess” says the helpful card underneath!
In the Archaeological Treasures Gallery, we’re in for another treat… a collection of secondary burial jar collections … ooh! This involves digging up a dead body once the corpse has decomposed, and then cleaning, painting or treating the bones in a ritual ceremony.
Some of these burial jars are made of earthenware with the design and form of human figures and they were recovered in Ayub cave in Saranggani (formerly South Cotabato) in 1991. The head-shaped covers are not found in other burial sites in the country, nor in any other Asian country.
The museum also focuses on ethnographic exhibits from around the Philippines, showcasing what it calls a tapestry of cultures. All ethnic groups in the Philippines speak languages that belong to the Austronesian family. But it is the variety of cultural diversity throughout the archipelago that makes the Philippines unique.
Unsurprisingly, tribute is made to the country’s number one hero – Dr. Jose P. Rizal, or José Protacio Rizal Mercado y Alonso Realonda, to give him his correct name – for his role in Philippine ethnography.
Rizal was a Filipino nationalist, writer and revolutionary who was born in 1861 and executed 35 years later for treason and sedition. He is widely considered the greatest national hero of the Philippines. He was the author of Noli Me Tángere, El Filibusterismo and a number of poems and essays, and a leading scholar of Filipino culture, collecting ethnographic specimens for his studies, some of which were given to friends abroad.
In this gallery, I particularly like the furry backpack or “Bango” used by the Ifugao to carry food and other personal items. Can you imagine mincing down the high street with one of these on your back? Magic!
Talking of Ifugao, there’s a model of an Ifugao house (just in case one missed the real thing in the courtyard outside) which the museum blurb describes as “an extraordinary structure built without a single nail and filled with ritual significance” … in front of a mock-up of one of the walls of the house held together with, errr, nails!
Another distinctive feature of the Ifugao house, we are told, “is the rat guard made of round wooden blocks fitted around the house posts just below the floor beams, keeping rats out of the house”…. and I can’t help but wish that the owner of one of the hotels in Coron, Palawan where I stayed had visited this museum. (When I opened up a packet of soap in the shower one evening, by the following morning it had “walked” into the bedroom and grown gnaw marks all around it.)
Also on display are some lovely musical instruments – this being a Filipino version of a gamelan… slowly collecting dust.
But enough of ethnography! As you make your way to the top floor, you can immerse yourself in a world of more plants, stuffed animals and … fashion!
But first you have to wade your way through some rather nice collections of dried plants, together with explanatory notices including what to take for hair loss, headaches, rheumatic pains, menstrual problems, itchy skin, hernias, dysentery and carbuncles!
No itchy skin and carbuncles? Ok, so move on to a couple of stuffed northern Luzon Cloud Rats – the largest rodents living in Asia, weighing in at over two and a half kilos each.
A couple of cases away, you can see a Philippine Eagle (Pithecophaga jefferyi) stuffed in 1896 – one of the world’s rarest, tallest, and most powerful bird of prey and one of the most threatened animals on earth. (Well, I guess they would be if everyone decided to stuff them in glass cases!) Those of my fans who studied Greek will know that “pithecus” means ape or monkey and “phagus” means eater of. (When it was discovered, the eagle was observed to prey almost exclusively on monkeys.) In 1995 President Ramos declared the Philippine Eagle to be the country’s national bird.
Another endangered species captured for all to gawk at is a Spot-billed Pelican, a.k.a. Pelecanus Philippenses which, despite its name, has been extinct in the archipelago since the 1940s!
Having such a diverse ethnic background, it is not surprising that the country is rich in a variety of languages. And before the arrival of the Spaniards and the use of a Latin script was widely adopted, one of the more common writing forms was something called Baybayin (which even features on the 100 peso bank note). In this picture, someone called Doki Natividad had a prayer of guidance and protection for his family permanently tattooed on his back.
And just in case you want to practise your baybayin, there are guides posted up on the walls showing you how to write your name…
The final gallery features traditional Philippine textiles, together with some of the looms used to create them. Here’s an outfit from the Bontoc Mountain Province – a “lufid ay sinangadam“, or one of ten types of rectangular wrap skirts worn during official or religious events.
And here is an Ilokano foot loom from La Union
Finally, thanks to the American Museum of Natural History, there is also a small collection of photographs of various Philippine ethnic groups, shown at the St Louis World Fair of 1904.
And that, dear readers, is a blow by blow account of the types of things you are going to see if you ever get the urge to visit this museum.
In summary, I guess, there are plenty of things to gawp at, but – I’m sory to admit – I left feeling unsatiated by the stuff on offer. I fear I won’t be returning to this place any time soon.

THE RIZAL PARK

Rizal Park: The Heart and Soul of Manila

01

Have you been to Rizal Park? If not you should try to visit the park. Rizal Park also known as Luneta is situated at the northern terminus of Roxas Boulevard. To the east of the boulevard, the park is bounded by Taft AvenuePadre Burgos Avenue and Kalaw Avenue. To the west is the reclaimed area of the park bounded by Katigbak Drive, South Drive, and the shore of Manila Bay. It is adjacent to the old walled city of Intramuros. Rizal Park is one of the most famous attractions in Manila. It is a perfect place for you to spend your vacation.

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Luneta Park is like an oasis for relaxation and fun in Manila.  One main attraction in Luneta Park is Orchidarium and Butterfly Pavilion. It is a hectare of land that was transformed into a replica rainforest park. You will see inside the different Philippine orchids and butterflies. Another is the Diorama of Rizal’s Martyrdom. It is located on the north area of Rizal monument. A set of statues were built on the exact spot where Dr. Jose Rizal was executed. There are also gardens in Luneta Park. One is the Japanese Gardens. It was built to uphold the good relationship between the country of Japan and the Philippines. Another is Chinese garden. Lots of activities can be done in the park.The Rizal Park Children’s playground gives fun for the whole family. It has a variety of slides, seesaws, swings and colorful animal sculptures that will surely entice kids. There is also the Musical Dancing Fountain at the     Central Lagoon in the park which visitors can enjoy watching. It showcases a colorful exhibition of waters.The
Burnham Green hosts many world-class shows. It offers sports facilities for football, baseball, and other field games. It is an ideal place for kite-flying and family outings. Joggers and people who do yoga, and martial arts are often seen in the park.Another attraction is the open-air auditorium that is a regular venue for award-winning and long-running cultural programs. It is home to the Concert at the Park,a free cultural presentation showcasing performances from various Filipino and international musical talents.You can have picnics with your family. If you’re visiting Manila with the family, the wide grassy lawns are perfect for having a picnic. The open-air concert hall features live music and entertainment, and there’s also a chess plaza, skating rink, several fountains, and of course, playgrounds.

 

03


      Besides it beauty, Luneta Park played a big part in the Philippine History. Rizal Park’s history began in the early 1800s during the Spanish rule. The Park was also called Bagumbayan, and later known as Luneta. The place was shaped like a small moon (lunette) and thus was named Luneta. Luneta has been the spot of some of the most significant moments in Philippine history.This is the place where the execution of Dr. José Rizal on December 30, 1896 happened. His death made him a hero of the Philippine Revolution. The park was a tribute to the Philippine’s national hero, Jose Rizal, Rizal Park could be considered the symbol of the nation’s heart and soul. I bet you can visit Rizal Park a million times.

 

 

A brief history

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Rizal Park, also known as Luneta Park (many locals call it the latter) was originally called Bagumbayan (New Town, in Tagalog) before it was changed to Luneta, after the French word Lunette, which means a detached, crescent-shaped fort. It’s a historical park bordered by the Roxas Blvd., Taft Ave., and the streets of Padre Burgos and T.M. Kalaw in Manila. Adjacent to it is the old, walled city of Intramuros (we’re hoping to blog about this soon). Rizal Park was named after the Philippines’ national hero, Dr. Jose Rizal, who self-published two of the most influential and kick-ass novels in the Philippine history. His execution in the same park sparked the 1898 Philippine Revolution against the kingdom of Spain.

Rizal Park as we see it today is still the same spacious park that provides the impression of freedom of movement and activities. I remember going here with my family as a very young kid in the late 80’s and early 90’s. At that time, (aside from Jollibee, hahaha), Luneta was the best place to be for kids. Well, it’s still pretty much that way to this date. For adults, and err, lovers on limited budget, and for families, especially on holidays and weekends, it is the best place to relax and enjoy each others’ company without worrying about spending too much. For those who don’t know, Luneta is a decent place for a picnic with family and kids. Grab some chips and soda, or bring some home-cooked snack or meal, lay a mat or blanket on the grass (pick the best spot), and voila – picnic on the grounds of Luneta! It’s an open park, so always be ready with extra stuff that you might need, like umbrellas or waterproof tarp. And yeah, it’s clean-as-you-go. For political matters, just like the recent event against the Pork Barrel System, Luneta is the best venue to protest and convene.

Here are photos of some thing and images inside the park:

The Independence Flagpole.  Standing at over a hundred feet, the Independence Flagpole is the tallest in the Philippines.

 

Kilometre Zero marker in front of the Memorial Clock (the one that resembles a clock, of course).  This is the point from which all road distances from Manila are measured. You've prolly seen one of those yellow posts that has KM (insert-number-here) on the side of the roads, well - that's what those are about.

Kilometre Zero marker in front of the Memorial Clock (the one that resembles a clock, of course). This is the point from which all road distances from Manila are measured. You’ve prolly seen one of those yellow posts that has KM (insert-number-here) on the side of the roads, well – that’s what those are about.  Behind the stretch of black metal fence on the pic is The Quirino Grandstand where newly elected presidents of the country takes his/her oath.  The Grandstand is also used as a venue for other political/religuous events.

Rizal's Execution Site.  To the west of the Rizal Monument is the exact location where our National Hero was executed.

The Martyrdom of Dr. Jose Rizal.  Inside are huge statues that recreate the last moments of our National Hero's life.

The Martyrdom of Dr. Jose Rizal. Inside are huge statues that recreate the last moments of our National Hero’s life

One of the images/sculptures found on the walls of Rizal's Exucution Site

Kalesa.  You can take a tour inside Luneta on this.

Or take a trip around Manila on this typical Kalesa.  Wait, is that a kid driving the kalesa?

Or take a trip around Manila on this typical Kalesa.

Solar-powered LED lights.  Great to know that Luneta promotes sustainable development.

There are also gardens within the park that you can visit for a fee.

The Chinese Garden.

The Orchidarium.  It was closed during our visit.  Same with the Japanese Garden.

The Orchidarium. It was closed during our visit. Same with the Japanese Garden.

Luneta at night.

Waiting for the Dancing fountain with lights.

Waiting for the Dancing fountain with lights.

Finally.  Luneta's Dancing Fountain with Lights.  Water, lights, and music in one presentation.  it's worth the wait.  Happens at 7pm on weekends.

Finally. Luneta’s Dancing Fountain with Lights. Water, lights, and music in one presentation. it’s worth the wait. Happens at 7pm on weekends.

An empty Roxas Blvd.

 

How to get there

Rizal Park is bordered by the Roxas Blvd., Taft Ave., and the streets of Padre Burgos and T.M. Kalaw in Manila.  If you’re commuting from around Manila, you can ride a jeepney bound for Taft Ave. and get off at T.M. Kalaw.  You can also take the LRT 1 train.  Get off at United Nations (UN) Station, and walk your way to T.M. Kalaw.  If you’re coming from Cubao and prefer taking a jeepney, take a Quiapo-bound jeepney, get off Quiapo Church, and take another jeep via T.M. Kalaw route.  For all other directions from areas not mentioned, just google it.

THE ST. AUGUSTINE

 

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About St. Augustine School of Nursing

St. Augustine School of Nursing is a popular choice for Caregiving, Practical Nursing and Medical Transcription course in the Philippines. Committed to making students learn in a caring environment. Reaching out to the communities it serves via medical missions and various outreach care programs. The very same type of Pinoy Care that St. Augustine graduates are sharing here and abroad.
In response to the rising demand for healthcare professionals here and abroad, St. Augustine School of Nursing (SASN) was established in 2004. The response to the pioneer branches in España Manila, Lagro Quezon City and East Rizal was phenomenal.
The continuing success of St. Augustine is anchored on the world-class quality of training it provides and its continuous upgrading of curriculum to meet the growing needs of medical tourism, healthcare and the hospitality business. Its advanced curriculum meets the minimum standards set by the Technical Education and Skills Development Authority (TESDA) and provides a more holistic approach in producing healthcare professionals equipped, not just with the basic skills and knowledge in taking care of patients, but are also taught basic computer skills, personality development, legal aspects in the workplace and foreign languages.
St. Augustine is:
• No.1 Chain Nursing School (National) in the 2004 National Shoppers’ Choice Annual Awards
• Recognized as the Outstanding Caregiver School for 2003 by the Philippine National Caregiver Association
• Job opportunities through InfoTech to earn US$2,000 or more monthly
• Certification in just 6 months with full international standard of hospital on-the-job training
• IT-based nursing education. Gives you an edge in landing one of the 500,000 worldwide job openings for caregivers and nursing aides
• Professional and experienced faculty
• Offers language training and cross-cultural orientation
• A member of the AMA Education System with international linkages
• Registered with TESDA under new training regulations.
St. Augustine School of Nursing – Las Piñas (also known as St. Augustine College, Las Piñas) is a private educational institution in Las Piñas City. It is one of the many campuses of St. Augustine School of Nursing (SASN), a member of the AMA Education System founded in 2004 in response to the growing demand for healthcare professionals in the Philippines and abroad.

The school offers courses on Practical Nursing, Caregiving, and Medical Transcription. In addition to technical-vocational courses, it also has a senior high school program with Academic and Technical-Vocational-Livelihood (TVL) strands.

SASN – Las Piñas is recognized by the Technical Education and Skills Development Authority (TESDA) and the Department of Education (DepEd). Since its establishment, it continues to produce service-oriented graduates who are ready to give “Pinoy Care” to the rest of the world.

What programs & courses does St. Augustine College – Las Piñas City offer?


Choosing the right program can help you set your future goals and visualize where you want to be. Whether you want to be an engineer, a teacher, an accountant, or you want to level up in your profession, making yourself informed with the right choices will surely back you up in the future.